Ise The Theatre Experience

ISE The Theatre Experience PDF
Author: Edwin Wilson
Publisher:
ISBN: 9781260566512
Size: 46.17 MB
Format: PDF
Category :
Languages : en
Pages :
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Book Description:

The Theater Experience

The Theater Experience PDF
Author: Edwin Wilson
Publisher: McGraw-Hill Companies
ISBN: 9780070706859
Size: 37.17 MB
Format: PDF, ePub, Docs
Category : Theater
Languages : en
Pages : 475
View: 4727

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Book Description: The ideal theater appreciation text for courses focusing on theater elements, "The Theater Experience" encourages students to be active theater-goers as they learn about the fundamentals of a production. By addressing the importance of the audience, Wilson brings the art of performance to life for students who may have little experience with the medium. .

Loose Leaf For The Theatre Experience

Loose Leaf for The Theatre Experience PDF
Author: Edwin Wilson
Publisher: McGraw-Hill Education
ISBN: 9781260493405
Size: 75.54 MB
Format: PDF, ePub
Category : Art
Languages : en
Pages : 368
View: 2482

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Book Description: The Theatre Experience prepares students to be well-informed, well-prepared theatre audience members. With an audience-centered narrative that engages today's students, a vivid photo program that brings concepts to life, and features that teach and encourage a variety of skill sets, students master core concepts and learn to think critically about the theatre and the world around them. As a result, students are better prepared for class, and better prepared for theatre going.

Rethinking Religion In The Theatre Of Grotowski

Rethinking Religion in the Theatre of Grotowski PDF
Author: Catharine Christof
Publisher: Taylor & Francis
ISBN: 1351854623
Size: 31.55 MB
Format: PDF
Category : Art
Languages : en
Pages : 248
View: 2217

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Book Description: This book opens a new interdisciplinary frontier between religion and theatre studies to illuminate what has been seen as the religious, or spiritual, nature of Polish theatre director Jerzy Grotowski’s work. It corrects the lacunae in both theatre studies and religious studies by examining the interaction between the two fields in his artistic output. The central argument of the text is that through an embodied and materialist approach to religion, developed in the work of Michel Foucault and religious studies scholar Manuel Vasquez, as well as a critical reading of the concepts of the New Age, a new understanding of Grotowski and religion can be developed. It is possible to show how Grotowski’s work articulated spiritual experience within the body; achieving a removal of spirituality from ecclesial authorities and relocating spiritual experience within the body of the performer. This is a unique analysis of one of the 20th Century’s most famous theatrical figures. As such, it is a vital reference for academics in both Religion and Theatre Studies that have an interest in the spiritual aspects of Grotowski’s work.

Setting The Stage

Setting the Stage PDF
Author:
Publisher:
ISBN:
Size: 56.13 MB
Format: PDF, Kindle
Category :
Languages : en
Pages :
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Book Description:

What Is The Theatre

What is the Theatre  PDF
Author: Christian Biet
Publisher: Routledge
ISBN: 0429793065
Size: 19.42 MB
Format: PDF, ePub, Docs
Category : Performing Arts
Languages : en
Pages : 616
View: 1484

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Book Description: What is the Theatre? is one of the most coherent and systematic descriptions and analyses of the theatre yet compiled. Theatre is, above all, spectacle. It is a fleeting performance, delivered by actors and intended for spectators. It is a work of the body, an exercise of voice and gesture addressed to an audience, most often in a specific location and with a unique setting. This entertainment event rests on the delivery of a thing promised and expected – a particular and unique performance witnessed by spectators who have come to the site of the performance for this very reason. To witness theatre is to take into account the performance, but it is also to take into account the printed text as readable object and a written proposition. In this book, Christian Biet and Christophe Triau focus on the practical, theoretical and historical positions that the spectator and the reader have had in relation to the locations that they frequent and the texts that they handle. They adopt two approaches: analysing the spectacle in its theatrical and historical context in an attempt to seek out the principles and paradigms of approaching the theatre experience on one hand, and analysing the dramaturgy of a production in order to establish lines of interpretation and how to read, represent and stage a text, on the other. This approach allows us to better understand the ties that link those who participate in the theatre to the practitioners who create theatrical entertainment.

Theories Of The Theatre

Theories of the Theatre PDF
Author: Marvin A. Carlson
Publisher: Cornell University Press
ISBN: 9780801481543
Size: 62.78 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 553
View: 6098

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Book Description: Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory.

American Presidents Attend The Theatre

American Presidents Attend the Theatre PDF
Author: Thomas A. Bogar
Publisher: McFarland
ISBN: 0786442328
Size: 58.17 MB
Format: PDF, Kindle
Category : Biography & Autobiography
Languages : en
Pages : 441
View: 7774

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Book Description: Not every presidential visit to the theatre is as famous as Lincoln's last night at Ford's, but American presidents attended the theatre long before and long after that ill-fated night. In 1751, George Washington saw his first play, The London Merchant, during a visit to Barbados. John Quincy Adams published dramatic critiques. William McKinley avoided the theatre while in office, on professional as well as moral grounds. Richard Nixon met his wife at a community theatre audition. Surveying 255 years, this volume examines presidential theatre-going as it has reflected shifting popular tastes in America.

Presence In Play

Presence in Play PDF
Author: Cormac Power
Publisher: Rodopi
ISBN: 9042023813
Size: 44.39 MB
Format: PDF, ePub
Category : Language Arts & Disciplines
Languages : en
Pages : 228
View: 6417

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Book Description: Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The 'live' immediacy of the actor, the unmediated unfolding of dramatic action and the 'energy' generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of 'presence.' Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of 'presence' as a key concept for theatre studies today.

The Art Of Experience

The Art of Experience PDF
Author: Dagmara Gizło
Publisher: Routledge
ISBN: 1000332217
Size: 45.57 MB
Format: PDF, ePub, Docs
Category : Drama
Languages : en
Pages : 196
View: 1793

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Book Description: The Art of Experience provides an interdisciplinary analysis of selected plays from Ireland’s premier female playwright, Marina Carr. Dagmara Gizło explores the transformative impact of a theatrical experience in which interdisciplinary boundaries must be crossed. This book demonstrates that theatre is therapeutic and therapy is theatrical. The role of emotions, cognitions, and empathy in the theatrical experience is investigated throughout. Dagmara Gizło utilises the methodological tools stemming from modern empirically grounded psychology (such as cognitive-behavioural therapy or CBT) to the study of theatre’s transformative potential. This book will be of great interest to students and scholars of theatre, performance, and literature, and will be a fascinating read for those at the intersection of cognitive studies and the humanities.